TC

Billboard Producer · Award-Winning Mix Engineer

TC

ClientsBeatsLoopsMixingSessionsBriefsConnect
500+Song credits (inc. unreleased)
—
Streams / views
BillboardHot 100 Charting
#1 ChartingMENA #1, UK #2
Gold Certified3x Certified

Selected work

My Clients

Artists I’ve produced, engineered and created music with.

Selected artists 36 selected clients · Spotify profiles ↗

Also worked with

Listen

A few of my favourites

My top 10 personal favourite projects; big and small, old and new. Produced, Mixed, Mastered, or Engineered by me. *Note, this is not an extensive or complete credits list.

Open playlist in Spotify

For artists

Beats

Production available for artists and collaborators.

A private Google Drive spanning 20+ genres, curated down to only the highest-quality, best-sounding work.

Essential100K stream cap
UnlimitedNo stream cap
ExclusiveLifetime guarantee

Project options

Single Production3-Track PackEP ProductionAlbum / Executive ProductionBulk Deals

For producers

Loops

Loops, starters and producer resources.

A deep loop library sorted by genre, sub-genre and vibe. Everything is key-tagged, BPM-tagged, includes stems, and is built to be placement-ready.

Genre sorted Sub-genre sorted Vibe sorted Key tagged BPM tagged Stems included Placement ready

Finishing

Mixing

Professional post-production for artists and releases.

Get your track mixed by an engineer proven to generate hits, with mixes that have been heard by millions.

Mix + MasterComplete bundle
MixingIndustry-quality mixing
MasteringLabel-approved mastering
SinglesEP bundlesAlbum bundlesBulk deals
Revisions2 rounds included
Delivery24-bit .WAV
On requestLive performance bounce · Clean song bounce

Sessions

Studio Sessions

TC x Aceside

Your studio / your city

Want me at your session?

Enquire about on-demand engineering and production for selected sessions, projects and travel bookings.

Enquire ↗

Opportunity system

Briefs

Request focused production opportunities, or submit beat and production briefs directly.

For producers

Request Opportunity Briefs

For producers using my loops, producers with finished beats but no clear send-out route, and serious producers who want more intentional access to active industry opportunities.

  • Know what beats and sounds to send back
  • Target active genres, markets, locations and artist lanes
  • Choose free briefs, invite-only opportunities or the A&R send-out vault

For labels, managers, A&Rs, producers + engineers

Submit Opportunity Briefs

For industry people coordinating active beat or production needs. Submit a standing weekly direction or a time-sensitive brief with a real deadline.

  • Weekly curated beat packs for ongoing needs
  • Deadline briefs for time-sensitive artist or project opportunities
  • Strictly beats and production opportunities

Socials + enquiries

Connect

Follow, listen or get in touch.

Business enquiriesContact
prodby@tcmadethis.com ↗

Mixing submission guide

Before you send your song

01

Prepare your stems

Export every stem from the same starting point. Clearly label files, remove unused tracks, keep essential creative processing, avoid unnecessary master limiting and export at the original project quality.

02

Include your rough mix

Send the latest version you’ve been listening to so the intended balance, effects, vocal treatment and production choices are clear.

03

Choose references

Include 1–3 professionally released references. If useful, note what you like about the vocal tone, level, low end, width, punch, brightness, space or overall character.

04

Prepare mix notes

Include vocal effect preferences, automation, ad-lib treatment, important production elements, anything that must remain untouched and anything you dislike about the current mix.

StemsRough MixReferencesBPMMix Notes
Revisions2 rounds included
Final delivery24-bit .WAV
Available on requestLive performance + clean song bounces

Submit stems & enquiry to

prodby@tcmadethis.com Once the project is accepted, full payment is required upfront before mixing begins. Start Mixing Enquiry ↗

Adelaide Sessions

TC x Aceside Rates

Prices in AUD

2-hour minimum booking

Studio sessions

HourlyAUD $80
Half day 5 hours · discountedAUD $360
Full day 10 hours · discountedAUD $720

Special Adelaide Offers · sponsored by Aceside Studio

Mix + Master bundle · Adelaide onlyAUD $120
Mix Adelaide onlyAUD $100
Master Adelaide onlyAUD $60
Adelaide Community Support Sponsored local pricing

As part of a joint effort between Aceside Studio and TC, Adelaide artists who record at Aceside receive exclusive sponsorship-level pricing on selected post-production services. It’s our way of showing love and commitment to the local community-creating a more affordable gateway to premium mixing and mastering for both growing and experienced Adelaide-based artists.

Bookings, Cancellations, Rescheduling, No-shows, and Studio Credit

An enquiry or invoice does not hold a session. Payment must be received, verified and the booking confirmed at least 24 hours beforehand. For cash paid booking, an explicit request must be submitted in the notes of your enquiry, this request is not automatically approved and requires manual review and approval.

For a confirmed booking: cancel at least 24 hours ahead for full credit, or a full refund if you decline credit. Inside 24 hours, 50% is retained and the remainder is offered as credit or refund. No-shows forfeit 100%. Rescheduling is cancellation plus a new request. Credit has no expiry. Approved cash bookings follow the same cancellation percentages as amounts owed.

To formally cancel or reschedule an Aceside session, notify both TC at prodby@tcmadethis.com and Aceside at acesiderecords@gmail.com

Aceside Enquiry ↗

Your Studio / Your City

Session Rates

Prices in AUD

All studio time must be booked separately. For callouts, required travel expenses - including Uber / ground transport, flights and accommodation where relevant - must be covered by the client.

(Enquire further regarding home / crib sessions.)

Adelaide

Hourly only offered at AUD $80
Half day 5 hoursAUD $400
Full day 10 hrsEnquire

Interstate

Hourly callout not available · dependent on availabilityAUD $80
Half day 5 hours · minimum 2 daysAUD $400
Full day 10 hrs · minimum 2 daysEnquire

International callout

International sessions travel and project requirements assessed case-by-caseEnquire
Travelling Enquiry ↗

License template

Essential

Read the supplied licence template below, or download the original Word document. The template has blank fields for the final agreement.

Download Word document ↗

Producer options

Request Briefs

Choose the opportunity route that matches how actively you want your beats directed and sent.

01

Invite Only Briefing Sheet

High-ticket and active opportunities only. Best for producers ready to work around serious briefs and higher-value send-outs.

02

Opportunity Briefing Sheets

Free request route for producers who want clearer direction on genre, location and opportunity lanes.

03

A&R Send-Out Program

Submit organised beats for TC to hold in the vault and send out for relevant opportunities in exchange for agreed splits and credit.

Brief availability changes and receiving a brief does not guarantee placement. Only submit original work you control and are authorised to offer.

Production opportunity intake

Submit Briefs

Choose the submission route that matches whether the production need is ongoing or tied to a specific deadline.

01

Weekly Curated Packs

TC can curate focused beat packs around an ongoing artist, roster or sound direction each week.

02

Deadline Briefs

For active beat or production opportunities with a real submission deadline. Best for time-sensitive artist sessions, release windows and specific project asks.

Brief submissions are strictly for beats and production. Please include usable references and enough direction to curate accurately.

A&R Send-Out Program

Beat Vault Sign-Up

By signing up, you give TC permission to keep your beats organised in the vault and send them out for relevant opportunities. If a beat is licensed, placed or otherwise used through the send-out, the relevant advance, publishing and credit splits will be handled according to the formal agreement.

Submit a Dropbox or Google Drive folder that is clearly organised by genre, lane and vibe. Beats should be properly exported, named and easy to send. Only submit work you control and are allowed to offer for third-party opportunities.

Read before signing up

A&R Agreement

Read the supplied agreement below, or download the original PDF.

A&R PROGRAM AGREEMENT Beat submission, pitching and co-production terms.

Thomas Campbell trading as TC / TCmadethis, of Adelaide, South Australia, email TC prodby@tcmadethis.com

Submitter The person or entity identified in the submitted form

1. What this covers 1.1 A “Beat” is any beat, instrumental, demo, stems or related material the Submitter sends to TC under this Agreement. A “TC-Sourced Placement” occurs only when TC is the effective source of the opportunity and the Beat is used, sampled or adapted for a commercially released or commercially exploited recording as a direct result of TC sending, pitching or introducing it. 1.2 This Agreement is non-exclusive. The Submitter remains free to pitch, license and place the Beat independently or through anyone else. TC receives no credit, payment, royalties, publishing or other share from any placement that does not result from TC’s pitch or introduction. TC does not obtain rights merely because TC received or separately pitched the same Beat.

2. Permission to pitch the Beat 2.1 The Submitter gives TC a non-exclusive, worldwide permission to store the Beat, make private listening copies, and send, play and pitch it to artists, writers, managers, labels, publishers, A&Rs and their representatives for possible TC-Sourced Placements. 2.2 TC may discuss and negotiate a possible TC-Sourced Placement. A final commercial licence or producer deal still requires the Submitter’s written approval, which may be given by email. TC cannot sell the Beat or release it publicly under this Agreement.

3. The Beat must be clearable 3.1 The Submitter promises that they own or control the Beat and have authority from every co-owner and co-producer to submit it and agree to these terms. 3.2 The Beat must not contain: uncleared samples or interpolations; unauthorised third-party beats, melodies, vocals, stems or recordings; generative-AI output or synthetic voice/likeness material; stolen material; or anything subject to a conflicting exclusive deal. Any third-party loop or sample-pack content must be licensed for commercial use and disclosed to TC in writing before pitching. 3.3 The Submitter is responsible for direct third-party claims and reasonable losses caused by a breach of this clause, except to the extent caused by TC.

4. Placement notice and no bypass 4.1 TC will promptly tell the Submitter if TC learns that the Beat has been put on hold, selected, placed or released through a TC-Sourced Placement, and will pass on the available deal details. The Submitter must promptly tell TC if they learn first. The Submitter must also promptly tell TC if the Beat is independently placed or exclusively licensed so TC can stop pitching it; that notice does not give TC any share in the independent deal. 4.2 The Submitter will not bypass TC, remove TC from, or separately close an opportunity introduced by TC unless TC’s co-producer credit and full share under clause 5 are preserved in the final paperwork.

5. TC is a co-producer only on TC-Sourced Placements 5.1 For every TC-Sourced Placement, TC is a contractual co-producer and receives the same percentage in each category of Producer-Side Compensation. “Producer-Side Compensation” means all money and rights allocated to the producers for that TC-Sourced Placement, including: (a) producer advances and fees; (b) master royalties, producer points, master ownership or producer net receipts; and (c) the composition and publishing share allocated to the producers for their musical contribution (“Producer Publishing”). It excludes the artist’s, label’s, lyricist’s, topliner’s and other non-producer shares.

5.2 TC’s percentage is an equal share among all producers credited on the TC-Sourced Placement, including TC, but never less than 20%. For example: two producers means 50% each; three means 33.33% each; four means 25% each; and five or more means TC receives at least 20%. The remaining producer share is divided among the other producers. 5.3 TC receives Producer Publishing as a normal co-producer would. If TC contributes original music to the finished composition, TC must be named and registered as a composer for the agreed share. If TC is not legally registrable as an author, the Submitter must instead pay or assign to TC an equivalent contractual royalty from the Producer Publishing controlled or received by the Submitter. Nothing in this Agreement requires a false authorship claim. 5.4 TC must be credited as “Co-Producer: TC / TCmadethis” with prominence reasonably equal to the other producers wherever producer credits are supplied, including metadata, liner notes and promotional materials, subject to the platform’s usual display limits.

6. Paperwork and payment 6.1 The parties will promptly sign any customary split sheet, letter of direction or producer paperwork reasonably needed to record these terms and have TC paid directly by the artist, label, distributor, publisher or royalty society where possible. 6.2 If the Submitter receives money that includes TC’s share, the Submitter must pay TC that share within 7 business days after cleared receipt. Each party is responsible for their own tax.

7. Withdrawal and existing opportunities 7.1 The Submitter may withdraw an unpitched Beat at any time by emailing TC. Withdrawal does not affect a pitch, hold, negotiation or TC-Sourced Placement already made before TC receives the notice, and clauses 3–7 continue for those opportunities.

8. Simple legal terms 8.1 This Agreement is the entire agreement about the submitted Beats and may be changed only in writing agreed by both parties. If one part is unenforceable, the rest continues. Email is sufficient for notices and approvals. 8.2 South Australian law applies and the courts of South Australia have non-exclusive jurisdiction. “Co-producer” describes TC’s role, credit and economics only for a TC-Sourced Placement; it does not create a general partnership or allow either party to bind the other outside this Agreement.

ACCEPTANCE By submitting the form, the Submitter confirms that they have read and agree to the terms of this Agreement and intend to be legally bound by them.

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Adelaide sessions

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